Art & Culture in Chicago

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Picking Brains with Cheer Accident

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Alex Perkolup is a musician who currently plays bass and guitar in the critically acclaimed progressive rock band, Cheer-Accident. Originally formed in 1981, Cheer-Accident has maintained an impressively fresh and interesting sound, oscillating between noise and pop, refusing to be categorized. The music is moody, complex, and highly composed, but never muddy. Perkolup has been one of the three mainstays in their ever-evolving lineup for six years. He has also played in Bobby ConnLovely Little Girls, andThe Flying Luttenbachers, among others.

Do you have formal music training?

I started lessons at eight and went on until I was about nineteen. I had one guitar teacher for nine years of that time who was a big influence on me. I started playing because of Eddie Van Halen. I came out of the metal school of musicianship. I was really into difficult playing and my guitar teacher recognized that. He introduced me to King CrimsonMahavishnu OrchestraGentle Giant and some progressive rock bands, so he was very instrumental in my influence.

What is it about “difficult playing” that you are interested in?

The challenge, which is both mental and physical. It’s complicated, so you really have to get inside of something. Then you give it a certain sense of freedom with your playing. Plus it hurts your fingers. Read the rest of this entry »

Written by Kelly Reaves

November 24, 2009 at 8:48 am

The cat IS the hat

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cathatIf you were at the West Loop gallery openings on Sept. 11, you may have noticed a girl walking around with a dead cat on her head. As it turns out, the girl is an artist, an MFA student at UIC, and her name is Rebecca Beachy. The cat hat is one of her new pieces. I paid her a studio visit last week, and we talked about her work.

Did you know that if you google “West Loop gallery openings,” one of the first things that comes up is Alicia Eler’s post on Chicago Now about you and your taxidermied cat hat?

Yeah, I saw that but I didn’t know that it comes up when you google the art openings.

Yep. You were at number three the first time I checked it but today you’ve moved up to the top. And your hat was also mentioned in an article on Art Talk Chicago about the openings. So I think it was a hit. How did you come up with the idea to make the hat?

Most of my art was already concerned with material and I started thinking about the mythology of cats. I have been thinking about puns. You know, the cat in the hat. The cheshire cat. And then the LOLcat website which is such an obsession of people in our generation. So I thought it would be interesting to re-purpose the cat body to make connections between the body and the image and the mythology of the cat. The cat hat was my first project along those lines. Read the rest of this entry »

Written by Kelly Reaves

October 29, 2009 at 6:11 pm

Robyn O’Neil @ Tony Wight Gallery

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(This was originally published on 10/08/09 on Gapers Block.)

Tony Wight Gallery is very quiet right now, like the stark silence after a tornado passes through, but the scene is much less cluttered.  In the front room, Robyn O’Neil’s giant graphite drawings hang on the walls, floating in clean, white frames, with plenty of breathing room between them. They depict post-apocalyptic scenes, which, without a familiarity with her previous work, might just look like textural investigations of hair and water.  In the back room, her small drawings continue the same style and theme, but more intimately, and an upside-down ship and a cluster of pyramids are added to the mix.

O’Neil’s previous work, part of a saga which was executed over the past eight years, features wintery landscapes and seascapes.  Dramatic and drably unwelcoming, the scenes are usually populated by groups of little men in matching sweatsuits.  In the early work, the men congregate together, enjoying each other’s company over marshmallows, hugs, and calisthenics, oblivious to the storm clouds looming overhead.  In the later work, they struggle to stay alive, hanging from ropes and rafts.  When there aren’t little men, there are usually horses or birds, often dead or dying themselves, but always at least an allusion to a landscape.  The work is reminiscent of Bruegel and Darger, but not as literal as either.  It does not follow a clean narrative.  Instead, it creates a mood. Read the rest of this entry »

Written by Kelly Reaves

October 25, 2009 at 10:42 pm

You Can't Please Everyone: The Dubious Relationship between Logan Square and it's Bohemian Inhabitants

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(Please note: this is rather long, props still need to be given and links need to be made.  I will make sure to do so ASAP… I just needed to get it up here before it’s totally outdated.)

I love living in Logan Square.  I love the tree-lined streets and the elote carts, with their awkward, honking horns. I love the lively Quince años parties in people’s yards in the summer.  I love the candy that’s left over after the piñatas have been broken and the kids have gotten sick from sugar.

 Most of all, I love that I can afford to have a bedroom, a painting studio, and an office.  My boyfriend has a bike shop and a wood shop.  My dog has his own bedroom.  I have more than enough space and I only have to travel an extra mile out of my way to get it.

 Often, though, my enjoyment is soured by subtle reminders that I am not entirely welcome here.   To some of my neighbors, I am a blonde-haired harbinger of doom and my freshly renovated apartment with its’ granite countertops and hardwood floors is the lair in which I conspire my fascist agenda.  Or something like that. 

 Although most of Logan Square has already been gentrified, the West end, where I live, is just beginning to turn.  And so somehow, although this is my home too and I only want what’s best, my being here is apparently an open invitation for self-involved yuppies and money-hungry developers to come suck the life out of the neighborhood. I realize that some of my queasiness about gentrification can probably just be chalked up to white guilt, but gentrification is a real and hotly debated issue and discussions about it are not only valid but important, so I will forge on. Read the rest of this entry »

Lets Make Lots of Money

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The Hideout during election week

The Hideout

(This is a story I wrote last April for my in-depth reporting class.  It’s about the music scene in Chicago and the controversial Event Promoters Ordinance which has been tossed around for a few years…)

Last weekend I overheard a conversation in the smoking tent at the bar I work at.  A group of regulars were talking about forming a band.  The most enthusiastic of them, a well-groomed, twenty-something blonde guy, suddenly yelled out in a fit of passion: “Chicago has an incredible music scene that just isn’t happening!”

This got me thinking.  Back in 2006, I spent six months traveling around the UK and Europe.  During my trip, I spent a good deal of my time seeking out good local music.  I was generally disappointed by what I didn’t find.  Although I did see some great bands in London and Liverpool, I found a lot of the music mediocre, unoriginal, and drab.  England and Ireland seemed to be tripping over themselves musically and Europe was just way too into techno for my tastes.  I finished my trip with an invigorated appreciation of Chicago. 

Often, when I tell people I think Chicago is the best music city I’ve been to, they are surprised.  Most people, especially people who don’t live in Chicago, have no idea what’s going on here musically.  And, after minimal Internet research, I understand why.  To say that Chicago has an amazing music scene might not be entirely accurate. Chicago has an amazing UNDERGROUND music scene.  And if you aren’t already part of it, it can be difficult to access. The Chicago music scene has a ton of potential, but is underrated and often ignored.

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Short and Sweet and a Little Cheesy- an interview with Malaika Marion of The Brown Sack (3706 W. Armitage)

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photo courtesy of Yelp

photo courtesy of Yelp

This is the first of a series of interviews I’m conducting now about art and culture in the Logan Square neighborhood in Chicago.  In February I stopped by my local sandwich shop, the Brown Sack, to speak to the Malaika Marion, co-owner.  I nervously sat and sipped tea while trying to muster up the courage to do my first interview with a stranger.  Well, not quite a stranger, last summer my dog demolished her patio by dragging her picnic table and potted tree onto Armitage Ave. in an attempt to tackle a cute bitch.  So, I kind of hoped she wouldn’t remember me.  She remembered.  But, even despite my mishap, she ended up being one of the nicest people I’ve ever met!  The interview turned out to be extraordinarily enjoyable- a nice introduction to the wonderful world of journalism.  The tape ran on for about an hour before it ran out.  In an effort to make it short and sweet for a school assignment, I’ve cut it down to the first 500 words.  


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Written by Kelly Reaves

March 19, 2009 at 11:18 pm

An Intimate Conversation with the Sass Dragons

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photo courtesy of the Sass Dragon's myspace page

photo courtesy of the Sass Dragon's myspace page

The Sass Dragons are a punk rock band from the suburbs of Chicago. The Sass Dragons are Mike Oberland, Jimmy Adamson, and Jason Smith. They recently relocated to the city, and are about to celebrate their fifth anniversary as a band. I sat down with them in the beginning of March to reminisce about their oeuvre. (Warning- the following is lude, crude, and incredibly immature.)

Kelly Reaves: How did the band form?

Jason Smith: On a damp locker room floor. Read the rest of this entry »

The Loop's Dirty Little Secret

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   cals2There is one last sacred place downtown. 

It is small, smelly, soggy, and guarded by loyal homeless guys.  But they are friendly, and they all know my name.  Everybody knows my name there,
 and they’re always glad I came.  This place is my own personal “Cheers.”  It is called Cal’s Liquors, and it is the last dive bar in the loop. 

At 61 years old, Cal’s is barely hanging on.  The city isn’t too happy about it being in the loop because it is loud and the attached liquor store sells half pints of booze, which attracts the homeless.  The homeless, in turn, scare the condo owners who live next door with their odor and enthusiasm.  There are no beer taps in the bar, and you’re probably better off with a bottle anyway because the “dishwashing system” is questionable.  If you are a female and you need to use the bathroom, empty your pockets first because if anything falls out while you’re dropping your pants you will not want to fish it out of the standing water on the bathroom floor. Read the rest of this entry »

Written by Kelly Reaves

December 13, 2008 at 9:45 pm

Posted in feature, music

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Vacant Beauty

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standishviagraRobert Standish’s paintings are beautiful.   

They make painters happy, not only because they’re well rendered but also because their commercial success is a sign that painting is not dead.Not even close.

Standish currently has a solo show of his new large-scale photorealistic paintings at Carrie Secrist gallery. Although the subjects vary, an urban theme is pervasive.

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Written by Kelly Reaves

November 15, 2008 at 6:25 am

Cosmic Slop

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White people love Rashid Johnson.

 They love him because he’s a black artist who makes art about identity politics without assuming the role of a victim or pointing fingers. His art also makes white people feel like they understand black people, which delights them, but it is a dubious understanding because his work is intentionally ambiguous. It is anything but didactic, and it is refreshing. And it is refreshing, but not satisfying.

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Written by Kelly Reaves

October 20, 2008 at 6:51 am