Art & Culture in Chicago

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Posts Tagged ‘deadtech

You Can't Please Everyone: The Dubious Relationship between Logan Square and it's Bohemian Inhabitants

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(Please note: this is rather long, props still need to be given and links need to be made.  I will make sure to do so ASAP… I just needed to get it up here before it’s totally outdated.)

I love living in Logan Square.  I love the tree-lined streets and the elote carts, with their awkward, honking horns. I love the lively Quince años parties in people’s yards in the summer.  I love the candy that’s left over after the piñatas have been broken and the kids have gotten sick from sugar.

 Most of all, I love that I can afford to have a bedroom, a painting studio, and an office.  My boyfriend has a bike shop and a wood shop.  My dog has his own bedroom.  I have more than enough space and I only have to travel an extra mile out of my way to get it.

 Often, though, my enjoyment is soured by subtle reminders that I am not entirely welcome here.   To some of my neighbors, I am a blonde-haired harbinger of doom and my freshly renovated apartment with its’ granite countertops and hardwood floors is the lair in which I conspire my fascist agenda.  Or something like that. 

 Although most of Logan Square has already been gentrified, the West end, where I live, is just beginning to turn.  And so somehow, although this is my home too and I only want what’s best, my being here is apparently an open invitation for self-involved yuppies and money-hungry developers to come suck the life out of the neighborhood. I realize that some of my queasiness about gentrification can probably just be chalked up to white guilt, but gentrification is a real and hotly debated issue and discussions about it are not only valid but important, so I will forge on. Read the rest of this entry »

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Dormant Art: an Interview with Rob Ray of Deadtech (3321 W. Fullerton)

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Rob Ray

Rob Ray

Rob Ray was the proprietor and curator of Deadtech, a defunct Logan Square artspace that existed from 1998-2008.  Deadtech was a venue for unconventional, electromechanical art and a community for artists interested in exploring the dichotomy between man and machine.   Ray is currently working on his MFA at Rensselaer Polytechnic Institute in Troy, NY.

Kelly Reaves: What was Deadtech’s mission?

Rob Ray: To be a center for art and technology and an assistant to technology-centric artists in the best way we knew how. This tended to manifest itself in the putting on shows, providing technical assistance, and loaning equipment. We also hosted various regular meetings such as the Chicago Dorkbot and the chicago_pd group.  Our mission changed in the mid 2000s as new-media became a term very similar to “alternative” in that while it might have been new at the time, it became quite common.  So, I had to think about how Deadtech could differentiate itself from more established, better funded, and more highly recognized commercial and institutional places.  It used to be common for somebody to look at you totally sideways when you said you wanted to hang a projector in their space. It is now a common thing to see.  We took a fresh look at our assets and realized the biggest one we had was time.  A commercial space or somewhere like the Cultural Center never has time, and tech-based art is a PAIN to suss-out and painful to install. So we could work with artists that really wanted to do almost a residency-type install, or try something new in the actual space. Read the rest of this entry »